Since 1994 David Crawforth and Naomi Siderfin have collaborated together, and with occasional others, on art projects under the moniker Beaconsfield Art Works or BAW.
Projects include:
- Sink_Vessel (with Tegh aka Shahin Entezami 2022), Beaconsfield, London
- Viral Traces The Spiritual Exercises 2, Arts Chaplaincy Projects, 2021 (University of the Arts London & and Diocese of London)
- Famine Pass II (with Bruce Gilbert 2018) Landscapes of the Future, Helsinki Contemporary
- Famine Pass I (with Bruce Gilbert 2017) DDDD, Art Lacuna, London
- Electromagnetic_Famine Pass (with Bruce Gilbert 2015) Wysing Festival, Cambridge
- Electromagnetic_in residence (with Bruce Gilbert 2014) curated by Catherine Harrington and Eiko Honda for the guesthouse, Cork
- Diluvial (with Bruce Gilbert 2013) Athens Biennale
- Diluvial (with Bruce Gilbert 2012) CD produced by Touch Music
- Diluvial (with Bruce Gilbert 2011) Beaconsfield, London
- Diluvial (with Bruce Gilbert 2011) The Big Shed, Aldeburgh Music Festival
- Salah Days, The Skydive, Houston, 2010
- White Hole; Terminal (5.11.2008) Late at Tate, Tate Britain, London
- Undergrowth (2007) Volume V, Temple Bar Gallery, Dublin
- God Machine (2005) Chronic Epoch, Beaconsfield London
- Earthshaker (2002), performed OX1, Oxford Brooks University, Oxford
- Element (2001), commissioned by UKS Biennial for Alta Museum, Norway
- Earthshaker (2001), performed UKS Biennial, Oslo
- Earthshaker (2001), performed Dilston Gallery, London
- Earthshaker (2000), commissioned by Stavanger Biennial
- RAF (1999) Sensation, Hamburger Bahnhof fur Gegenwort, Berlin, 1999
- Clouding the issue, Gasworks, London, 1999
- Pick-up; between the devil and the deep blue sea, Helsinki Festival, 1997
- Thatched (1996) commissioned by Fashion Architecture Taste for Roadworks, London (used in nomination for Sterling Prize)
- Keg, Conductors Hallway, London 1996
- A Public Work of Art (with Angus Neill 1995) Royal Festival Hall, London
Thatched (1996) BAW, commissioned by FAT for Roadworks, London